10.09.2011

The Craft of Research II


The Craft of Research II
Responded to by Jeremiah Johnson

In response to chapters five, six and seven written by Booth Colomb & Williams, I have been shown some interesting incite into the research of a topic. This response will begin with looking at sources, then using sources and finally forming an argument with sources.

I: The ‘research trip’ begins with the topic. I believe that your topic must be flushed out like a wet rag. If you are unable to do this, you will have nothing to pursue. To learn about your topic, start to read. Using sources starts with observation and reading. This will bring to light many issues and problems relating to your topic. Like Booth, Colombs and Williams expressed, crafting a hierarchy to your sources is rather important. This will allow you to understand your topic in three ways: through “raw data”, through “scholarly research” and “mass-circulation.” When I work on sources I tend to forget a hierarchy. So in retort, I tend to push myself toward that direction in remembrance. These sources can be found through the library, journal articles, interviews and internet. Though knowing your source credibility is top priority. Lastly, I find using sources that ‘click’ with the topic in an odd way tend to bring interest to the research.

II: Once you start to find information, you must next record the information. Data recording is important. I keep a journal with me at all times in case I need to record. This will be especially important when you are unsure why your source was used. Sources come in many colours and flavors. I find that understanding this will affect your research heavily. Once your sources have been found, read them once more—read them like they are love poems. You must “actively engage” them to bring forth their full prowess. As I continue to read, I find myself forming arguments and ideas. This is wholesome. Once again, you should start to record you finding. Your research will write itself without extra effort.

III: Your sources are found and your mind is working like a machine; how do you form an argument? The argument will best serve your project if it is in conversational form. The authors wrote, “{…}you make a claim, back it with reasons, support them with evidence, acknowledge and respond to other view{…}.” This is a conversation. I believe by fostering the argument as a discussion with your audience, they will be much happier and more interested. As you form the argument think about your sources; how do they help? Find your claim, use sources to back it and then play devils advocate. This form of active response will create a better argument. Does your argument sound strong? It will once you form credibility. This is done through Ethos, Logos and Pathos. As many novice artists begin, they draw what they know. This is not a good idea. Looking through a new lens and through open eyes recoding what you see rather than what you know will grow an argument like sprouting kelp. Soon you will find yourself swimming through larges amounts of responding arguments and supports rather then a drawing that is nothing like the actual object. But make sure your pre-knowledge is still used. It will provide passion and fire.

Overall, using sources to form arguments is an art form. It takes practice and effort on your part as well as the audience. I find that once actively engaging the topic and research, the information starts to flow. You continue up the road towards finality. So look through your sources, analyze your sources, record your sources and argue with your sources. All actions bring fruition.