Architecture Models

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The virtue of the Architect. The model is a tool for discussion, explanation and exploration. Without the delicate nature of a model one is unable to bring forth life into the world of the third dimension. We can describe and colour with drawings but something is indeed missing. The model is experiential. It speaks to the client and to the architect. Nothing can hold the place of a model.

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Medieval Architecture

New & Old

Concept of Venting

Fortifying with Nature

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The fact remains that architecture has passed through countless years of change. Searching for some oddity in the face of time is but difficult to do. Once found though, a myth starts that morphs architecture into something most unique and raises the bar for others. This is the form of design. A revitalization continuously bubbles to the surface. Architecture spans space, time and society and Medieval Architecture is not end nor the beginning. The obtuse is the degree of technological evolution. Designing Medieval buildings were only completed by three traits.

1: Pointed Arch & Ribbed Vaulting Exceptional Diffusion of Forces for extended Spanning Spaces

2: Flying Buttress Floating Ceiling and Clerestory Opening

3:Iconographic Imagery Teaching the Illiterate

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Boats, Ships & Islands

A Refurbished Hotel

Stable Arches

White Kitchen

Gold laced Table

Chairs to Die for

Caste Iron Leg

Asymmetric Brick Flooring

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A lovely example of my hobby in reusing old architecture. A small hotel building most likely once used as a stable for horses now houses people. This building in Marseille, France accentuates the love for brick, stone and old fashioned furniture. Using history is a wonderful way to show materials, inspiration and a homage to the past. This is a beautifully obtuse antiquated building.

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Door Handles

Rebuilding Lille

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Bridging past the trains of departure
To the land of shaped silence.
For once buried deep beneath the surface
Is a poor and desperate wall.
It begs to but uncovered,
And feigns death
But lives in history,
Under a veil of modernism.

--a poster for our Lille design Charrette--
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A Music Experiment

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The bland, the bustle and the boring hold our society in a prison of ample dread. We wander about with some point of interest but find ourselves only waiting for the end: the dues ex machine. What if we could find a way to entertain our dull periods? Well, many have with certain items: food, games, books and the like.

I was on the metro filled with a transparent emotion. The simple monotony of waiting bears down hard. The visual images, the people swaying forth and the flashing lights all form an image deep in the mind. This image perpetually forms an associated emotion drugging-up each and every time the action is commenced. The emotion, most importantly, is linked to a space. Architecture completes this feeling.

So I decided to experiment with a certain rigor.  A movie is but limited without its soundtrack. The music produces powerful emotional connections which stimulate endorphins that flow throughout our brain. The idea of producing a new emotional association to the common day life sounds exciting with music. While this is blatantly obvious and done often, it is indeed exciting to develop.

I presented a deep-heartened soundtrack from Hans Zimmer to the entrance of the metro. The gaping chasm filled my periphery. The solemn sound produces a gloom cohesively with the rainy atmosphere. The song changed to that of movement and blundering objects. The people in the metro-train moved with the piece. The emotion suddenly became that of adventuring excitement. I looked around and watched people as they entered. They became main characters to the plot. They started fulfilling the dream. The experiment was certainly successful. It produced a new emotion to a dull atmosphere. The space was experienced in a new way.

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Redevoloping Lille

The Residence

The Industry

The Wall

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A charrette on a rainy day takes our tiny but neatly organized group to the outskirts of Lille. We are to redefine the boarders which exist in the abstract ideas of the city planners to create a new identity of the space. Bridging the canal to the historical defense wall is plan one. To do so, a mere excavation of the wall must be done. This shall open a wondrous space past the highway to prey on the landscape.

--"Like a foundation island between the Bay Bridge 

this space becomes a bridge for the river, the trees and the wall."--

Taste

A Morning Pain

A crepe or baguette

Brasserie et Vittel

Shrimp

Spaghetti agli olio e peperoncino

A Subtle City of Creme and Green

Upon a Wall

The City Sits

To Bridge Between Nature

And the Architecture Within

To Collect

To Escape

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The City of Stone lives upon a micro pedestal looking down beneath the depth of the forests. Luxembourg surely captivated its audience by the sheer loveliness of tiers and towers. The city sits delicately within gardens, trees and the greater landscape. I find the subtle architecture to be immaculately powerful. Designing a building to let the entire surrounding lands, the people and the paths intermingle and present the whole as something to aspire towards. There is a blatant disregard for pure decoration but rather letting nature transcend the the architecture. In our post-modern society we have learned to design a standard building that may plop any place. This sort is lukewarm. This typology is meaningless and empty. 

Architecture requests the site be perfect as much as the building itself. Mise-en-scène. Everything in totality. The experience is supernatural and organic. Of course I am in love with the organic nature of architecture and landscaping, so Luxembourg was a great place to view. Entirely shaped around the cliffs, the architecture naturally clings to. The paths roll up and down like ships in the ocean. The river twists and turns under gorgeous Roman bridges and under castle towers. The city is romantic and unadulterated. The city is very clean. I believe it to be the largest gated community in existence. A true delight to view in person. 

The obtuse interest I have in the city though is the livability aspect. It is of course an antique. But adventuring through the remains of old battle scared buildings, I find homes with real residencies. They live, work and play in this interesting area. The city seems worn with use as well. It is not polished and treasured as an object in a glass case but rather a favorite gardening shovel. The city is alive and well.

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